Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no person else is protected either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one from the most brought up books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as a trilogy. Did it genuinely end the way you planned it from your beginning?

A: Very much so. While Some know every detail, of course, the arc in the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the writing process.

Q: We understand you worked around the initial screenplay for any film being depending on The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel in to a two-hour movie you can't take everything with you. The story has to become condensed to match the newest form. Then you have the question of methods best to take the sunday paper told inside the first person and provides tense and transform it in a satisfying dramatic experience. In the novel, you won't ever leave Katniss for a second and are privy to all of her thoughts so you may need a method to dramatize her inner world and to make it easy for other characters to exist outside her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A great deal of the situation is acceptable on a page that wouldn't be over a screen. But how certain moments are depicted may ultimately be inside the director's hands.

Q: Have you been capable to consider future projects while working on The Hunger Games, or are you immersed in the world you might be currently creating so fully which it is simply too difficult to think about new ideas?

A: I have a few seeds of ideas boating inside my head but--given that much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and that i can begin to develop it.

Q: The Hunger Games is an annual televised event in which one boy and something girl from each of the twelve districts is made to participate in the fight-to-the-death on live TV. Exactly what do you believe the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are generally unknown, which means they are relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, to ensure whenever they see real tragedy playing out on, say, the news, it doesn't contain the impact it should.

Q: In case you were forced to compete inside Hunger Games, what can you think that your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope will be to obtain hold of an rapier if there was clearly one available. But reality is I'd probably get in relation to its a four in Training.

Q: What do you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements with the books could possibly be relevant of their own lives. And, if they're disturbing, the things they might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but now it is for world control. While it is really a clever twist on the original plot, this means that there is less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by displaying despair both at those she feels in charge of killing and and at her very own motives and choices. This is surely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very well evidenced in the voice, which goes from rage to puzzlement to an unsure go back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each with the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.





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